How To Become A Photographer: Interview with Amelia Fletcher

“Anything can inspire me; a dream, a story, a book, I find inspiration in all kinds of places. I grew up in the Appalachian Mountains and it’s a slower way of life out there. The community really shaped who I am as a person, and who I am as a person shapes my photography.

When I was little I loved drawing and painting, and in high school that developed into photography, but it wasn’t until I was graduating and had to pick a college that I got serious about it. Photography has always been therapeutic, never something I had to force myself to do.  In college I had professors that pushed me, and without college I wouldn’t be where I am today.  However, college isn’t for everyone; it’s expensive and not every photographer has to, or can, do it.  It depends on the person, but it was the right path for me.

After college I was offered an intern job with Phlearn in Chicago.  While it was a great opportunity for me to grow, it was hard being away from my family. That’s when I did my first 52 week project.  I wanted to improve shooting digitally and in Photoshop. Working on the project was great since there wasn’t outside pressure, and setting a deadline for myself made me stay on top of it. 

Interning at Phlearn was a lot of fun and a lot of chaos. One time we were photographing a friend of Aaron Nace’s, and we found an octopus in an Asian market which Aaron put on her head.  He then poured karo syrup on the octopus to keep it shiny! While she was great trooper and she got through it, the whole thing was a mess. Phlearn was an amazing learning experience. I think the best things I took away from it were a sense of work ethic, and working towards your dreams.

I enjoy all types of photography, but portraits are my favorite. I think they can be the most challenging and the most rewarding.  The most important part of a photograph is that there’s something in it I feel connected to and that other people will feel connected to as well. That’s the goal, to make someone else feel something. Usually I have that something in my head beforehand; I’m going for a certain look and feel. Also when I’m shooting a portrait, I want to take a photo that best captures their personality.  When I’m shooting myself, it’s more of the mood and feeling.

My most difficult shot is also my most favorite. It’s the one of me jumping in the air with powder. I got really dizzy and there was a lot to think about while shooting; the powder, the way my arms were moving, the way my body was moving, my hair, keeping my eyes closed, all while jumping and spinning. It was so worth it!

Interestingly, film was the way I learned photography in college. It really helped me to slow down and think about what I was doing. I think that film is important and a useful tool and I applaud those that still use it. The ascetic qualities are different and there’s a nostalgic aspect associated with film.  For the sake of convenience and expense I shoot digitally, but I hope to shoot film again, if only for a hobby. The 52 week project relied on post processing much more than my work does now. Currently it’s mostly color correction and dodging and burning.

Right now I’m on a cross country road trip and woofing.  (Woofing is volunteering to work on family farms.) My trip highlights small town America because I grew up in a small town, and I think that small towns are a huge part of who we are as a country.  And since I’m woofing I won’t be in the big cities. I think that small towns and farms are disappearing, and it’s important to document these places.

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The most interesting location I’ve been to so far on this trip is Taos, New Mexico, and the most interesting person on this trip, John, lives in a place outside of Taos called The Mesa.  It’s completely off grid. He’s been there for 40 years in a camper with no running water, no food, nothing within an hour’s drive.  I was woofing in New Mexico and heard about The Mesa and I wanted to go up there and photograph someone, but it was thundering and raining, so my only option was to knock on a door.  When I knocked on John’s camper door he answered it completely naked! I was photographing him for a few minutes when he pulled out a giant knife. I’m really happy with the shots I got. New Mexico was also so beautiful; they call it the land of enchantment.  It’s a beautiful place full of deep history.

Before I started this trip is I was a little disappointed in our country, and with a lot of the issues I was going through. But after seeing the kindness of complete strangers, and the freedom this place has, as well as the beautiful places, I feel very blessed to live here. After the trip is over I see myself staying closer to home.  Now that I’ve gotten the chance to spread my wings and explore, I think I need something that allows me to be closer to my friends and family. My immediate plans are to exhibit the work in galleries and publish a book of my travels. I’d also like to work in a gallery, work with charities as a travelling photographer, and/or stick around North Carolina shooting weddings and small business.”

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WANT TO LEARN MORE PHOTOGRAPHY?

If you’re interested in learning more about a specific photography subject or idea, shoot me a message on Instagram or contact me via email moreyspellman@gmail.com I’m always happy to answer additional questions or comments.

Morey Spellman is a Los Angeles based fashion photographer. 
His work combines a love for beautiful light, authentic beauty, and natural scenery.